Patriarchal Society in A Doll\'s House

In the play, A Dolls House, dramatist Henrik Ibsen draws a detailed and chromatic picture of espousal in the nineteenth century by creating realistic portraitures of individual characters, in particular Nora and Torvald. He uses this couples life as an representative of a typical marriage at that time. The author shows the readers his tiny attitude toward the real portrayal of the marriage model by making a grand controversial ending: Nora decides to communicate her husband and her children to find her authoritative freedom. Through the marital human relationship of Torvald and Nora, Ibsen also emphasizes the unequal berth among men and women in that time. In such a time-worn society, men business leader allot their wives as their property, and goody them as inferiors. Because of this behavior, spouses did not genuinely share their opinions and not transform each other. Therefore, the nature of patriarchate creates inequality of gender roles, which results in Nora and Torvalds marriage ending.\nIn describing Torvalds personality, Ibsen emphasizes the unequal congeal of men and women in the nineteenth century. In their marriage, Torvald might meditate his married woman unequal company, which seems to be normal in patriarchal society. First, he seems to look follow up on Nora in their relationship. In the first conversation between Torvald and Nora, the way he addresses his wife tells the audiences that he might not respect his wife. He asks, Is it my bitty squirrel bustling about? (Ibsen 2). Furthermore, he constantly uses nicknames when talking to his wife such as, my diminished skylark, my petty singing bird, and my pretty little pet. He seems to consider her as his, child-wife, because he usually includes the word, little, each time he negotiation to her. He might imagine in the mans duty, which focuses on the protection and way of his wife. Torvald seems to enjoy this role and consider it as fundamental to develop a good husban...